Moshi Moshi Coaching

Moshi Moshi CoachingMoshi Moshi CoachingMoshi Moshi Coaching

Moshi Moshi Coaching

Moshi Moshi CoachingMoshi Moshi CoachingMoshi Moshi Coaching
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Find Your Voice

Find Your VoiceFind Your VoiceFind Your Voice

Words matter. 

Make yours count.

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Who have I worked with?

How can I help?

Team workshops

Team workshops

Team workshops

What sorts of things can we cover?

  • How to be a better work writer
  • How stories work
  • How to design a slide presentation
  • How to write reports people actually read
  • How leaders use language
  • How to be more creative
  • How to speak to different audiences.


Workshops are a great way to get a group quickly applying ideas and learning from each other, as well as from expert feedback. For a pitch team they can be brilliant for forming a group ethos and to create a set of shared skills to build on.


Over the course of a few hours we can weave theory and practice together and create a space for honest feedback (the most useful kind) -- and that's not something that happens very often, as office politics (and normal human reticence) gets in the way. 


Workshops that involve honest criticism are often best facilitated by an outsider -- it creates a more fluid dynamic where boundaries are much more visible and easier to guard or challenge.

How to be a better writer


I’ve run thousands of workshops for all levels and always get great results, and great feedback. (Full disclosure, I was once told I swear too much.)

1:1 coaching

Team workshops

Team workshops

One-to-one coaching can help you make lasting changes with proven methods for building healthy communication habits.


Presenting is a really personal thing, and it can bring up a lot of psychological and emotional challenges. Bad experiences often deliver a double whammy of existential dread and physical trauma (who the hell am I, why me, and please get me out of here.) After all, finding your voice has a strong metaphorical meaning, as well as the literal one. 


Many of us are haunted by early educational or career experiences that taught us who we are, and a set of response or habits to deal with the ordeal of being on public show. Unpacking these vulnerabilities is really useful, and can really help challenge and change our approach to communication, and especially to presenting.


 I give honest feedback on all aspects of presentation -- looking at what you're saying, the structures and techniques that you'r falling back on, as well as how you use your voice and physical presence. 

You can use me as a rehearsal room, a sounding board, a director or literally as a coach — taking you through the basics, then pushing you to take more risks. 


And guess what? After many years of helping people I can say confidently that you can always go farther than you think. And that you learn more than how to deliver better presentations at work.



Webinars

Team workshops

Webinars

The most popular sessions I run are:

  • How to write brilliantly at work
  • How to write like a human (even when you're a lawyer)
  • How to present with pizazz
  • How to use stories to influence and persuade (or just sell). 

I’ve run these as 45-, 60- and 90-minute sessions for large global audiences, as well as for small, integrated teams.  Modern working life means that (somewhat absurdly) we often can't find a time to get everybody in a room for a few hours, let alone for a day, but we can find time for an hour or two online. 


Since Covid-enforced lockdowns we've all become more adept at managing the online virtual space (and using it to avoid meaningful interaction). So we all know it's not the best . . . but it's often a reasonable gateway. 


I’ve become a huge fan of using the webinar as way to introduce ideas and get people thinking and feeling differently about the daily business of communication: email, reports, social posts, newsletters, updates. 

It gives me a chance to practise what I preach -- people often say that my presentations are a lot more engaging than they expected, and that's by design -- not the magical force of my personality. 



Alan delivers every time, and people want more. I've worked on 90-minute sessions, whole days, and team-specific training. Feedback and impact have been brilliant. Two years on and people are still using and quoting what they learnt.


Minesh Siyani, director of learning, Wieden+Kennedy

Wait. You want ME to present?

Who do you think you are?

We often feel the need to bring main-character energy to a presentation -- to be the all-singing, all-dancing  raconteur who leaves their audience hanging on every precious word. 


Too often that comes across as fake, cheap and plastic — and usually cringe inducing.


It’s much more effective to explore your natural attributes, (introvert or extrovert!) your own voice, rhythms, humour and physicality. 


When you're in control of that stuff, you're in control or the room -- and audiences really love that.

What's the story?

Stories are the richest natural resource in the world. 


And you only need a little to go a really long way.

 

It’s the smallest difference between the clean facts ‘dark, bad weather’, and the emotional pull of a story unfolding: ‘It was a dark and stormy night . . .). 


Forget about having to tell a big, life-changing story -- instead find a few storytelling techniques that help you make what you're saying vivid, clear and memorable. 


Your audience will thank you (and they’ll be able to share your message with others).

Why so nervous?

We've all been there: heart thumping, sweaty palms, stomach churning, dry throat -- and all while knowing (in our heads) that it's really not that big a deal. 


Luckily there are lots of things we can do to help (especially for us introverts) : from getting your content laser-focused, to breathing and using your voice more effectively. 


Working out how your thoughts, emotions and behaviours interact is a grand adventure. Take control!

Why on Earth should you listen to me?

My Background

Communication coach and brand language expert, Alan Brookes has spent the past 12 years running thousands of workshops around the globe for two of the leading Tone of Voice agencies, The Writer and Schwa (now part of Definition). 


Before that, he cut his teeth on broadsheets as a subeditor and desk editor on The Sunday Times, The Times and The Guardian. 


And, even farther in the distant past, he trained as a theatre maker at the Jacques Lecoq school in Paris, France, and studied Butoh in Japan.


Performance, journalism and corporate comms. 

He's your basic triple threat.



Let's talk

Get in touch

Better yet, see me in (virtual) person!

If you fancy a quick chat, drop me a line and we'll find a time to meet,  Zoom or call. 

Moshi Moshi Coaching

07929 991837

Hours

Open today

09:00 – 17:00

Drop me a line!

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